Opinions of a Wandering Waif |
Me=gammawaif on twitter (http://twitter.com/gammawaif) and elsewhere. Run a small political chat board, The Usual Suspects. Center left, pro-abortion, pro-woman, news junkie, pro-Israel Jew. Funny, foul-mouthed & musical. Love books, art, music, food & wine. |
In ballet, blacks are still chasing a dream of diversity
NEW YORK — In 1933 Lincoln Kirstein wrote a passionate 16-page letter to his friend A. Everett Austin Jr., the director of the Wadsworth Atheneum in Hartford, Connecticut, introducing a man named George Balanchine…
NYCB was my favorite ballet. I like them much better than ABT. I would get annual subscriptions and loved the nights I’d get to take myself to dinner and then to the ballet, after work, back when I was working in Manhattan. Since I moved to Los Angeles, in 81, it’s the only thing I’ve ever missed about New York.
Some time in the 1980’s, I went to see a production by Dance Theatre of Harlem, of The Firebird. I’m mad at myself, that I cannot remember the name of the the ballerina who danced the lead…Daphne…gah, I can’t call it up, but I can remember her performance, as tho it were yesterday. She was magnificent, she transcended being a person and became the bird. It was the most mesmerizing dance I’d ever seen, and I’ve seen a lot. My mom was a devoted balletomane and took me to the ballet, since I was a little girl.
It’s tragic that NYCB never achieved the racial mix it set out to do, because it is a poorer company because of that failure. I’ve seen their productions of The Firebird, none of their principals ever danced as the DTH dancer did. Their loss.